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- <text id=90TT2783>
- <title>
- Oct. 22, 1990: Critics' Voices
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Oct. 22, 1990 The New Jazz Age
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CRITICS' VOICES, Page 18
- </hdr>
- <body>
- <p> THEATER
- </p>
- <p> ONCE ON THIS ISLAND. Manhattan's Playwrights Horizons has
- an enviable record: many of its limited-run hits, including
- Driving Miss Daisy, The Heidi Chronicles and Falsettoland, have
- moved on to greater fame on larger stages. The latest gift, to
- Broadway, is this musical folktale about love and magic on a
- mythical Caribbean isle, with a calypso-flecked score that may
- remind some of Disney's The Little Mermaid.
- </p>
- <p> THE ICEMAN COMETH. As O'Neill's bedeviled drunk turned
- reformer, film star Brian Dennehy (FX) gives a charming and
- chilling performance that rivals Jason Robards' definitive
- portrayal. But the surprises in the production at Chicago's
- Goodman Theater are the rest of the splendid cast and the
- painterly, expressionistic staging by Robert Falls.
- </p>
- <p> RICHARD III. Funny but never scary, Stacy Keach's
- inexplicably ballyhooed performance at Washington's Folger
- Theater suggests Captain Hook more than Shakespeare's monstrous
- monarch. The ensemble surrounding him is strictly amateur
- night, a melange of mincing courtiers portraying what are
- supposed to be buccaneer politicians. The sole saving grace is
- K. Lype O'Dell's intelligent, opportunistic and mercifully
- underplayed Hastings.
- </p>
- <p> MUSIC
- </p>
- <p> CHET ATKINS AND MARK KNOPFLER: NECK AND NECK (Columbia). Two
- mighty pickers kick back, do a little singing, a little guitar
- plucking, and pull off a sublime exercise in countrified
- sophistication. "Show a little respect for your elders," Atkins
- teases Knopfler during an easygoing version of There'll Be Some
- Changes Made, and the whole record becomes a kind of
- cross-generational tribute to musical roots, from one master
- to another.
- </p>
- <p> JESUS JONES: LIQUIDIZER (SBK). Lots of electronic sampling
- here, and some fat-bottom rhythm, but this London-based band
- is no simple dance monster. Its social message has heft, its
- lyrics spirit. "Don't you know happy is never enough?" is
- guaranteed never to be heard on the sound track of
- thirtysomething.
- </p>
- <p> TELEVISION
- </p>
- <p> GET A LIFE (Fox, Sundays, 8:30 p.m. EDT). Chris Elliott,
- former Late Night with David Letterman cutup, plays a nerdy
- 30-year-old still living with his parents. Elliott's manic
- gooniness is an acquired taste, but this so-dumb-it's-funny
- sitcom could be his breakthrough to mainstream success.
- </p>
- <p> TESTING DIRTY (ABC, Oct. 18, 4 p.m. EDT). In this well-told
- Afterschool Special, a high school athlete is suspended after
- failing an inaccurate drug test, dramatizing the pitfalls of
- drug-abuse-prevention programs.
- </p>
- <p> JUDGMENT (HBO, Oct. 17, 21, 25). A kindly parish priest
- turns out to be a child molester in this provocative if
- predictable cable movie written and directed by Tom Topor (The
- Accused).
- </p>
- <p> BOOKS
- </p>
- <p> THE POLK CONSPIRACY by Kati Marton (Farrar, Straus & Giroux;
- $22.95). The former newswoman and wife of TV anchor Peter
- Jennings uncovers new information about the 1948 murder of CBS
- journalist George Polk in Salonika bay, Greece--and fresh
- evidence of a cover-up by the Greek and U.S. governments.
- </p>
- <p> TREND TRACKING by Gerald Celente, with Tom Milton (Wiley;
- $24.95). Far better than the best-selling Megatrends, this
- analysis of current economic, social and political conditions
- foresees disgruntled voters flocking to a third party, a return
- to the idealism of the '60s and career opportunities in such
- fields as education, solar energy and marine biology. But avoid
- cookie franchises. The world, say the authors, "doesn't need
- a new chocolate chip cookie."
- </p>
- <p> ART
- </p>
- <p> THE FAUVE LANDSCAPE: MATISSE, DERAIN, BRAQUE, AND THEIR
- CIRCLE, 1904-1908, Los Angeles County Museum of Art. In one of
- the most productive periods of French art, the Fauves, or "wild
- beasts," created works that shocked the public and altered the
- course of 20th century painting. Through Dec. 30.
- </p>
- <p> COURT ARTS OF INDONESIA, Asia Society in New York City.
- Sculpture, court regalia, shadow puppets, dance masks and
- jewelry make up this splendid exhibition. The galleries
- resemble a kraton, or palace, where princes once assembled the
- finest treasures of the kingdom on ceremonial occasions.
- Through Dec. 16.
- </p>
- <p> MOVIES
- </p>
- <p> HENRY & JUNE. X was never like this. The first movie rated
- NC-17 (no children under 17) is as pretty as a French postcard
- but much less erotic. Philip Kaufman's biopic of authors Henry
- Miller and Anais Nin wanders through Paris boudoirs of the
- 1930s and finds smoke, not steam.
- </p>
- <p> PACIFIC HEIGHTS. Weirdo Michael Keaton squats in a house and
- tries to drive the nice couple who own it crazy. Sound like
- Beetlejuice II? Not quite: this thriller concentrates on
- turning familiar fears into plausible melodrama. The result is
- one of the slickest haunted-house movies since Psycho.
- </p>
- <p> INTERROGATION. A Polish woman (Krystyna Janda) is arrested
- and tortured by the state, then bears her inquisitor's child--a poignant metaphor for a generation of Poles sired in fear.
- Ryszard Bugajski's political horror movie, banned for eight
- years, plays like a suicide note smuggled out of the Gulag.
- </p>
- <p> FRESHENING UP MOLDY OLDIES
- </p>
- <p> RHINO RECORDS. A small but scrappy Southern California label
- that does some superb--and economical--musical salvage
- work, Rhino specializes in repackaging oldies that more
- established companies have let gather dust in the vaults, from
- the high-octane rockabilly of Del Shannon to the screeching
- serenades of Lou Christie. Rhino's recent Groove 'n' Grind
- compilation is a floor-scuffling, roof-raising anthology of
- raucous party tunes from the '50s and '60s, featuring sodden
- classics like Land of 1,000 Dances by Cannibal and the
- Headhunters. The current Rockin' in the Country: The Best of
- Wanda Jackson is a roundup of much of the prime material
- recorded by a vocalist who has real roadhouse spirit and a way
- with a song that makes her right for the kind of reappraisal
- this set encourages and amply justifies. Jazz fans should also
- take note. Rhino has just released a 16-track compilation
- called Jumpin' at Capitol: The Best of the Nat King Cole Trio,
- a heavenly slice of rhythmic virtuosity covering the years
- 1943-1950.
- </p>
- <p>By TIME's Reviewers. Compiled by Andrea Sachs.
- </p>
-
- </body>
- </article>
- </text>
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